{"id":204,"date":"2020-08-14T23:34:57","date_gmt":"2020-08-14T23:34:57","guid":{"rendered":"https:\/\/lapislazul.com\/?page_id=204"},"modified":"2021-03-19T14:29:03","modified_gmt":"2021-03-19T14:29:03","slug":"reference","status":"publish","type":"page","link":"https:\/\/lapislazul.com\/nl\/reference\/","title":{"rendered":"Portfolio Projecten"},"content":{"rendered":"
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Projects<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Ref 35<\/h1>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Stainedglass creation by Christine Vanoppen. Paderborn (Germany). 2019<\/strong><\/p>\n

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On the occasion of the Benelux year 2019 of the government of North Rhine-Westphalia, artists \u00c9tienne Tribolet and Christine Vanoppen created stained glass art for the \"Belgienleselounge\" at the University of Paderborn<\/strong>.<\/p>\n

<\/p>\n <\/div>\n \t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t <\/div>\n <\/div>\n <\/article>\n\n \n

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Ref 10<\/h1>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Conservation- restoration of the wall painting at the Emile Braunschool. (Ghent-BELGIUM)<\/strong>.<\/p>\n

In under contract by Profiel cvba. 2008<\/p>\n

<\/p>\n <\/div>\n \t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t <\/div>\n <\/div>\n <\/article>\n\n \n

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Ref 12<\/h1>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Contribution to the temporary exhibition: \u201cC\u2019est notre histoire\u201d<\/strong><\/p>\n

Delivery of services to Mus\u00e9e de l\u2019Europe asbl and Tempora s.a (Brussels-BELGIUM) 2007<\/p>\n

<\/p>\n <\/div>\n \t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t <\/div>\n <\/div>\n <\/article>\n\n \n

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Ref 18<\/h1>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Conservation-restoration of the Polychrom and gilded ornaments over the facades at the \u201cGrand Place of Brussels\u201d<\/strong><\/p>\n

(houses No. 1 to 7 and 34 to 38). (Brussels-BELGIUM).<\/p>\n

In under contract by Renotec nv. 2015<\/p>\n

<\/p>\n <\/div>\n \t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t <\/div>\n <\/div>\n <\/article>\n\n \n

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Ref 14<\/h1>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Conservation-restoration of the Stucco-work ceiling from Jan-Christian Hansche. 17th century. Beaulieu Castle. (Machelen - BELGIUM)<\/strong><\/p>\n

In under contract by Profiel cvba. 2013-2014<\/p>\n

<\/p>\n <\/div>\n \t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t <\/div>\n <\/div>\n <\/article>\n\n \n

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Ref 1<\/h1>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Schatting van de verzekeringswaarde van oude masterschilderijen in particuliere en bedrijfscollecties.\u00a0<\/strong><\/p>\n

While under contract with Christie\u2019s, we valued e.g. the old master paintings in the collection of the banking house Sal. Oppenheim, Cologne, in 2011. We rediscovered in the collection a painting by the Dutch painter Jan Lievens, which is since 2012 on loan in the Wallraf-Richartz-Museum & Fondation Corboud, Cologne. The picture was recently presented to a wider public in the exhibition Inside Rembrandt 1606-1669 in the Wallraf-Richartz-Museum Cologne.\u00a0<\/p>\n

Jan Lievens (1607-1674)\u00a0 A merchant tailoring a feather pen, circa 1627\u00a0- Oil on canvas\u00a0- 127 x 107,5 cm\u00a0<\/p>\n

Particuliere collectie, op lening in het Wallraf-Richartz-Museum & Fondation Corboud, Keulen<\/p>\n

Copyright:\u00a9Rheinisches Bildarchiv K\u00f6ln, Schlier, Britta, rba_d032852<\/p>\n

<\/p>\n <\/div>\n \t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t <\/div>\n <\/div>\n <\/article>\n\n \n

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Ref 9<\/h1>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Conservation - restoration: \u201cCocomero di Amerigo Baldi\u201d, Oil on canvas. 1704<\/strong><\/p>\n

Bartolomeo Bimbi. Museo di storia naturale. Intervention through Universit\u00e0 Internazionale del\u2019Arte (Florence-Italy). 2000<\/p>\n

<\/p>\n <\/div>\n \t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t <\/div>\n <\/div>\n <\/article>\n\n \n

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Ref 38<\/h1>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Andrea Vaccaro (1604-1670) \u2013 baroque altarpieces Church of Our Lady of Carmel and the Domino Church, Dubrovnik<\/strong><\/p>\n

Multiannual, international and interdisciplinary (conservation-restoration and art history) project, Conservation Department of the Croatian Conservation Institute (HRZ) in Dubrovnik<\/p>\n

Dubrovnik is home to two baroque altarpieces of exceptional quality created by the Neapolitan painter Andrea Vaccaro (1604-1670). They are the only known altarpieces by Vaccaro in Croatia and were located in two confraternity churches: Church of our Lady of Mt. Carmel and Domino (All Saints\u2019) Church. The restoration of these altarpieces has not only managed to uncover the beauty of the original colours, but has also confirmed that the Croatian paintings were of an exceptional pictorial quality. In addition to a detailed analysis of materials and techniques, this created an opportunity not only for a new comparison with autograph works by Vaccaro but also to deepening of our art historical knowledge on the working methods of this Baroque artist and his prolific Neapolitan workshop.<\/p>\n

http:\/\/www.h-r-z.hr\/en\/index.php\/spotlight\/european-year-of-cultural-heritage\/2197-dubrovnik-church-of-all-saints-domino-church<\/a><\/p>\n

<\/p>\n <\/div>\n \t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t <\/div>\n <\/div>\n <\/article>\n\n \n

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Ref 39.2<\/h1>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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<\/p>\n

The Four Evangelists by Mattia Preti as part of the Baroque ensemble of Our Lady of Carmel<\/a><\/strong><\/p>\n

Multiannual, international and interdisciplinary (conservation-restoration and art history) project, Conservation Department of the Croatian Conservation Institute (HRZ) in Dubrovnik, 2008-2014<\/p>\n

During construction works at the Church of Our Lady of Mt. Carmel in Dubrovnik, four paintings from a series of four paintings attributed to Mattia Preti were restored and analysed by the Conservation Department of the Croatian Conservation Institute (HRZ) in Dubrovnik.<\/p>\n

A core team of specialized scholars consisted of Mara Kolic Pustic, Team leader and Project Manager, art historians Nancy von Breska-Ficovic, John T Spike and Theresa Vella as well as Carlo Lalli, director of the Chemical Laboratory of the Opificio delle Pietre Dure, Florence.<\/p>\n

Their combined interdisciplinary research in this field of Italian Baroque painting has enabled a new interdisciplinary approach to Mattia Preti's art outside Italy and has complemented the existing research on this renowned Italian Baroque master, his workshop and artworks outside Italy.<\/p>\n

http:\/\/www.h-r-z.hr\/en\/index.php\/spotlight\/vijesti\/1090-presentation-of-the-conservation-project-qthe-four-evangelists-in-the-oeuvre-of-mattia-pretiq<\/a><\/p>\n

<\/p>\n <\/div>\n \t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t <\/div>\n <\/div>\n <\/article>\n\n \n

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Ref 30.1<\/h1>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
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\n \"\"
<\/div>\n <\/div>\n <\/div>\n \t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n

Spectacle hall of the opera theater \u201cOp\u00e9ra Royale de Wallonie\u201d<\/strong> : Conservation-restoration of the Stucco-work, gilded ornaments and easel paintings. (Li\u00e8ge - BELGIUM)<\/p>\n

In under contract by Profiel cvba. 2011-2012<\/p>\n

<\/p>\n <\/div>\n \t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t <\/div>\n <\/div>\n <\/article>\n\n \n

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Ref 33<\/h1>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n \"\"
<\/div>\n <\/div>\n <\/div>\n \t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n

<\/p>\n

Conservation-restoration of the Neo-Gothic paintings from the wooden ceiling at Our Lady\u2019s church. (Zolder-BELGIUM)<\/strong> In under contract by Profiel cvba. 2004<\/p>\n

<\/p>\n <\/div>\n \t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t <\/div>\n <\/div>\n <\/article>\n\n \n

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Ref 38.4<\/h1>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
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\n\n
\n \"\"
<\/div>\n <\/div>\n <\/div>\n \t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\t
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\n\t\t\t
\n

Andrea Vaccaro (1604-1670) \u2013 baroque altarpieces Church of Our Lady of Carmel and the Domino Church, Dubrovnik<\/strong><\/p>\n

Multiannual, international and interdisciplinary (conservation-restoration and art history) project, Conservation Department of the Croatian Conservation Institute (HRZ) in Dubrovnik<\/p>\n

Dubrovnik is home to two baroque altarpieces of exceptional quality created by the Neapolitan painter Andrea Vaccaro (1604-1670). They are the only known altarpieces by Vaccaro in Croatia and were located in two confraternity churches: Church of our Lady of Mt. Carmel and Domino (All Saints\u2019) Church. The restoration of these altarpieces has not only managed to uncover the beauty of the original colours, but has also confirmed that the Croatian paintings were of an exceptional pictorial quality. In addition to a detailed analysis of materials and techniques, this created an opportunity not only for a new comparison with autograph works by Vaccaro but also to deepening of our art historical knowledge on the working methods of this Baroque artist and his prolific Neapolitan workshop.<\/p>\n

http:\/\/www.h-r-z.hr\/en\/index.php\/spotlight\/european-year-of-cultural-heritage\/2197-dubrovnik-church-of-all-saints-domino-church<\/a><\/p>\n

<\/p>\n <\/div>\n \t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t <\/div>\n <\/div>\n <\/article>\n\n \n

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Ref 38.3<\/h1>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t
\n\n
\n \"\"
<\/div>\n <\/div>\n <\/div>\n \t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n

Andrea Vaccaro (1604-1670) \u2013 baroque altarpieces Church of Our Lady of Carmel and the Domino Church, Dubrovnik<\/strong><\/p>\n

Multiannual, international and interdisciplinary (conservation-restoration and art history) project, Conservation Department of the Croatian Conservation Institute (HRZ) in Dubrovnik<\/p>\n

Dubrovnik is home to two baroque altarpieces of exceptional quality created by the Neapolitan painter Andrea Vaccaro (1604-1670). They are the only known altarpieces by Vaccaro in Croatia and were located in two confraternity churches: Church of our Lady of Mt. Carmel and Domino (All Saints\u2019) Church. The restoration of these altarpieces has not only managed to uncover the beauty of the original colours, but has also confirmed that the Croatian paintings were of an exceptional pictorial quality. In addition to a detailed analysis of materials and techniques, this created an opportunity not only for a new comparison with autograph works by Vaccaro but also to deepening of our art historical knowledge on the working methods of this Baroque artist and his prolific Neapolitan workshop.<\/p>\n

http:\/\/www.h-r-z.hr\/en\/index.php\/spotlight\/european-year-of-cultural-heritage\/2197-dubrovnik-church-of-all-saints-domino-church<\/a><\/p>\n

<\/p>\n <\/div>\n \t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t <\/div>\n <\/div>\n <\/article>\n\n \n

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Ref 39.1<\/h1>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
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\n\n
\n \"\"
<\/div>\n <\/div>\n <\/div>\n \t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n

The Four Evangelists by Mattia Preti as part of the Baroque ensemble of Our Lady of Carmel<\/a><\/strong><\/p>\n

Multiannual, international and interdisciplinary (conservation-restoration and art history) project, Conservation Department of the Croatian Conservation Institute (HRZ) in Dubrovnik, 2008-2014<\/p>\n

During construction works at the Church of Our Lady of Mt. Carmel in Dubrovnik, four paintings from a series of four paintings attributed to Mattia Preti were restored and analysed by the Conservation Department of the Croatian Conservation Institute (HRZ) in Dubrovnik.<\/p>\n

A core team of specialized scholars consisted of Mara Kolic Pustic, Team leader and Project Manager, art historians Nancy von Breska-Ficovic, John T Spike and Theresa Vella as well as Carlo Lalli, director of the Chemical Laboratory of the Opificio delle Pietre Dure, Florence.<\/p>\n

Their combined interdisciplinary research in this field of Italian Baroque painting has enabled a new interdisciplinary approach to Mattia Preti's art outside Italy and has complemented the existing research on this renowned Italian Baroque master, his workshop and artworks outside Italy.<\/p>\n

http:\/\/www.h-r-z.hr\/en\/index.php\/spotlight\/vijesti\/1090-presentation-of-the-conservation-project-qthe-four-evangelists-in-the-oeuvre-of-mattia-pretiq<\/a><\/p>\n

<\/p>\n <\/div>\n \t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t <\/div>\n <\/div>\n <\/article>\n\n \n

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Ref 26<\/h1>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n \"\"
<\/div>\n <\/div>\n <\/div>\n \t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Stained-glass creation by Etienne Tribolet. Paderborn (Germany). 2019<\/strong><\/p>\n

On the occasion of the Benelux year 2019 of the government of North Rhine-Westphalia, artists \u00c9tienne Tribolet and Christine Vanoppen created stained glass art for the \"Belgienleselounge\" at the University of Paderborn.<\/p>\n

<\/p>\n <\/div>\n \t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t <\/div>\n <\/div>\n <\/article>\n\n \n

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Ref 29<\/h1>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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<\/div>\n <\/div>\n <\/div>\n \t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n

<\/p>\n

Stratigraphic and historical research. Oostkamp station.<\/strong>
Under contract with Tuc Rail. (Oostkamp - BELGIUM) 2017<\/p>\n

<\/p>\n <\/div>\n \t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t <\/div>\n <\/div>\n <\/article>\n\n \n

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Ref 21<\/h1>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t
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\n \"\"
<\/div>\n <\/div>\n <\/div>\n \t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Conservation-restoration of the Polychrom and gilded ornaments over the facades at the \u201cGrand Place of Brussels\u201d<\/strong><\/p>\n

(houses No. 1 to 7 and 34 to 38). (Brussels-BELGIUM).<\/p>\n

In under contract by Renotec nv. 2015<\/p>\n

<\/p>\n <\/div>\n \t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t <\/div>\n <\/div>\n <\/article>\n\n \n

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Ref 38.1<\/h1>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t
\n\n
\n \"\"
<\/div>\n <\/div>\n <\/div>\n \t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\t
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\n

Andrea Vaccaro (1604-1670) \u2013 baroque altarpieces Church of Our Lady of Carmel and the Domino Church, Dubrovnik<\/strong><\/p>\n

Multiannual, international and interdisciplinary (conservation-restoration and art history) project, Conservation Department of the Croatian Conservation Institute (HRZ) in Dubrovnik<\/p>\n

Dubrovnik is home to two baroque altarpieces of exceptional quality created by the Neapolitan painter Andrea Vaccaro (1604-1670). They are the only known altarpieces by Vaccaro in Croatia and were located in two confraternity churches: Church of our Lady of Mt. Carmel and Domino (All Saints\u2019) Church. The restoration of these altarpieces has not only managed to uncover the beauty of the original colours, but has also confirmed that the Croatian paintings were of an exceptional pictorial quality. In addition to a detailed analysis of materials and techniques, this created an opportunity not only for a new comparison with autograph works by Vaccaro but also to deepening of our art historical knowledge on the working methods of this Baroque artist and his prolific Neapolitan workshop.<\/p>\n

http:\/\/www.h-r-z.hr\/en\/index.php\/spotlight\/european-year-of-cultural-heritage\/2197-dubrovnik-church-of-all-saints-domino-church<\/a><\/p>\n

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Conservation-restoration of the wall painting at the ceiling of 18th century Sacristy in St Servaas Church. <\/strong><\/p>\n

(Grimbergen - BELGIUM).<\/strong><\/p>\n

In under contract by Profiel cvba. 2007-2008<\/p>\n

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Emergency rescue and restoration of the 28m2 Roman mosaic from the III century \u201cMosaico dei Lottatori\u201d.(Pozzuoli-ITALY) 2000<\/p>\n

In under contract by temporary association between MARTELLI-CASTALDI<\/p>\n